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                  <text>Bobby McMillon Collection</text>
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                  <text>Ballads, English--Appalachian Region, Southern&#13;
Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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                  <text>Bobby McMillon</text>
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                  <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              <text>1 minute, 23 seconds</text>
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              <text>Once I loved a fond affection &#13;
Once my thoughts were all of you&#13;
Then a blue-eyed girl, she come between us&#13;
And then you cared no more for me &#13;
&#13;
Go and leave me if you want to&#13;
Never let me cross your mind&#13;
For in your heart you love another&#13;
And in my grave I’d rather be&#13;
&#13;
We have left and we have parted&#13;
We have said our last goodbye&#13;
For we have broken the vows we made&#13;
When we met on the mountain high &#13;
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            <name>Title</name>
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                <text>Fond Affection</text>
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            <description>The topic of the resource</description>
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                <text>Folk songs</text>
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                <text>This is a recording of Mae Phillips (Maw Maw Phillips) singing the song "Fond Affection" (Roud 459). Bobby McMillon recorded the tape this is from and introduces the songs there: "[This] was recorded late in 1968 and in the spring of 1969 at Lower Creek, Lenoir, North Carolina, at the home of my uncle Goldman McMillon. Mrs. Walters Phillips, my uncle’s mother-in-law, from Maryville, Tennessee, is singing old songs that she learned as she grew up in the Cosby section of Cocke County, Tennessee. My father’s people were raised there, and that’s where my uncle met Mrs. Phillips’ daughter. Mrs. Phillips is singing love songs and old-timey ballads that she learned when she was a child from different people in the Cosby, Hartford, Tennessee area and the Mount Sterling and Crestmont area of North Carolina." </text>
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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              <name>Creator</name>
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                  <text>Bobby McMillon</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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                  <text>North Carolina</text>
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              <text>Well, A Maid a Being Young&#13;
&#13;
Well, a maid a being young, she thought it no harm &#13;
Well, a maid a being young, she thought it no harm&#13;
Well, a maid a being young, she thought it no harm&#13;
so she jumped in the bed and rolled in my arms.&#13;
&#13;
And it’s what I done there I cannot tell here &#13;
And it’s what I done there I cannot tell here &#13;
It’s what I done there I cannot tell here &#13;
but I wish that night had a been a long year.&#13;
&#13;
Well, the six months passed and the time rolled by &#13;
Well, the six months passed and the time rolled by &#13;
Well, the six months passed and the time rolled by &#13;
her slippers wouldn't button, her aprons wouldn't tie.&#13;
&#13;
Well, if it’s a girl child, hire it a nurse &#13;
silver and gold put money in its purse &#13;
Take it on your lap and comb its little head &#13;
and don't forget the night when I got  your maidenhead.&#13;
&#13;
Well, if it’s a boy child name it after me &#13;
stick a gun in its pocket, dress it in blue &#13;
and tell it to see the girls &#13;
like its pappy used to do.&#13;
&#13;
verso:&#13;
&#13;
1968&#13;
&#13;
"Maw Maw" Phillips learned this song in the 10s or 20s from her cousin Bethonia Clark (whom she said the "song fit perfectly"). Bethonia was 14 at the time and her niece's husband was the local school teacher. He had a big family but got Bethonia to meet him in a room somewhere (maybe the school house) and they would spend the night together often. It was on one of these rendezvous that he taught her this song and she in turn sang it to Maw Maw who never forgot it and would sing it occasionally for the girls until I got wind of it and begged her to teach me it. Bethonia and her nephew-in-law ran off together but he didn't live long. As I recollect Maw Maw said she was pregnant but whether the infant lived or died I can't remember. After returning home Bethonia's parents later packed up and moved off with her and, I suspect, the child and went to Middle Tennessee.</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="7869">
              <text>Handwritten text in a brown spiral-bound notebook.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Well, A Maid Being Young</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk songs, English--North Carolina</text>
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            <description>An account of the resource</description>
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                <text>This is a hand-transcribed ballad. A note on the reverse dated 1960 says that Mae Phillips learned this song in the 1910s or 1920s from her cousin Bethonia Clark.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bobby McMillon</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1968</text>
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                <text>1910-1930</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Mae Phillips</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="7835">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="7836">
                <text>North Carolina</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                  <text>This is a collection of photographs, documents, and audio recordings that document Bobby McMillon's performance and song collecting career, as well as his extensive research into local history and his family's genealogy. &#13;
&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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              <description>An entity primarily responsible for making the resource</description>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <text>Star Girl &#13;
(W.J. Ellison)&#13;
&#13;
Come here star girl&#13;
and listen to me&#13;
You once was my constant lover&#13;
But now I will gladly give you up&#13;
For one whose heart's more true.&#13;
&#13;
I have seen the time&#13;
I would have married you&#13;
And took you to some mountain&#13;
Where the grass is green&#13;
and the flowers bloom&#13;
Beside a lovely fountain.&#13;
&#13;
I dreamed last night &#13;
of seeing you&#13;
How joyful it was seeming&#13;
When I awoke and oh how sad&#13;
To find that I'd been dreaming.&#13;
&#13;
verso:&#13;
1968 &#13;
"Ballad Rhymes" Sung by Rolf Ellison, son of composer</text>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
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&#13;
Support for processing and digitizing this collection came from a South Arts grant and donations from friends of Bobby McMillon.</text>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              <text>Southern Soldiers&#13;
&#13;
Come all you Southern soldiers&#13;
Wherever you may be&#13;
I'll tell you of some troubles&#13;
That's happened unto me.&#13;
&#13;
When I was only sixteen&#13;
I joined a jolly band&#13;
We marched from Eastern Tennessee&#13;
To old Virginia land.&#13;
&#13;
Our captain he informed us&#13;
Perhaps he thought it right&#13;
Before we reached Manassas&#13;
We'll surely have to fight.&#13;
&#13;
I saw the muskets glittering&#13;
The bullets round me hail&#13;
My heart sank deep within me&#13;
My courage almost fail.&#13;
&#13;
I saw the smoke arising&#13;
It seemed to reach the sky&#13;
I thought this dreadful moment&#13;
Now is my time to die.&#13;
&#13;
I saw the Indians coming&#13;
I heard them give a yell&#13;
My feelings at that moment&#13;
No mortal tongue can tell.&#13;
&#13;
verso:&#13;
&#13;
Mrs. Lou Brookshire&#13;
February-March 1968 Learned as a child</text>
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                <text>This is a hand-transcribed text of one version of the song, "Southern Soldiers." A note on the reverse attributes this version to Mrs. Lou Brookshire with the date, February-March 1968. The note says she learned this song as a child.</text>
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                <text>Bobby McMillon</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Bobby McMillon Collection, Southern Appalachian Archives, Mars Hill University</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="7863">
                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1968</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="7865">
                <text>Mrs. Lou Brookshire</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7866">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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&#13;
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              <text>Southern Soldiers&#13;
&#13;
Come all you Southern soldiers&#13;
Wherever you may be&#13;
I'll tell you of some troubles&#13;
That's happened unto me.&#13;
&#13;
[tiny writing in right margin]&#13;
My name is nothing extry&#13;
And it I will not tell&#13;
But to all of you poor soldiers&#13;
I know I wish you well.&#13;
&#13;
When I was only sixteen&#13;
I joined a jolly band&#13;
We marched from Eastern Tennessee&#13;
To old Virginia land.&#13;
&#13;
Our captain he informed us&#13;
Perhaps he thought it right&#13;
Before we reached Manassas&#13;
We'll surely have to fight.&#13;
&#13;
I saw the muskets glittering&#13;
The bullets round me hail&#13;
My heart sank deep within me&#13;
My courage almost fail.&#13;
&#13;
I saw the smoke arising&#13;
It seemed to reach the sky&#13;
I thought this dreadful moment&#13;
Now is my time to die.&#13;
&#13;
I saw the Indians coming&#13;
I heard them give a yell&#13;
My feelings at that moment&#13;
No mortal tongue can tell.&#13;
&#13;
Mrs. Lou Brookshire&#13;
Kings Creek, N.C. 1968</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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                <text>Mrs. Lou Brookshire</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7856">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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&#13;
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              <text>Son oh Son oh What's the Matter? Will Weaver-O&#13;
&#13;
Son oh son oh what's the matter&#13;
Does your wife scold, does she flatter&#13;
Or does she to the tavern go&#13;
Along with Will Weaver-O.&#13;
&#13;
She don't lie nor she don't chatter&#13;
She don't scold nor she don't flatter&#13;
But she to the tavern go&#13;
Along with Will Weaver-O&#13;
&#13;
He came home all in a wonder&#13;
Knocking at the door like thunder&#13;
Who is that Will Weaver cried&#13;
It's my husband you must hide&#13;
&#13;
He sat down by the fireside weeping&#13;
Up the chimney he got to peeping&#13;
There he spied the wretched soul&#13;
Perched upon the upper pole&#13;
&#13;
Hee ha ha now I've found ye&#13;
Neither will I hang nor drown ye&#13;
This he thought but he never spoke&#13;
I'll roust him down from there with smoke&#13;
&#13;
He built on a rousting fire&#13;
Just to suit his own desire&#13;
Take him down and spare his life&#13;
Just for the sake of a weded wife&#13;
&#13;
He put on a little more fuel&#13;
What he thought his life was dual&#13;
&#13;
verso:&#13;
&#13;
Mrs. Walter Phillips&#13;
1967&#13;
&#13;
He reached up and down he brought him&#13;
Like a raccoon dog he shuck him&#13;
Shuck him till his back turned red&#13;
Now poor Will Weaver's dead.</text>
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              <text>Handwritten text on pages 63 and 64 of a blue double-entry ledger.</text>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
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&#13;
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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              <text>Riddles&#13;
&#13;
What goes over the field by day &#13;
and sets on the table at night? &#13;
[Milk]&#13;
&#13;
As I was walking down the lane&#13;
I met a man who did the same.&#13;
He tipped his hat and drew his cane, &#13;
and in this riddle I've told his name.&#13;
[Andrew]&#13;
&#13;
What's big at the bottom,&#13;
little at the top,&#13;
And got a thing in the middle&#13;
that goes flippity flop?&#13;
[Butter churn]&#13;
&#13;
As I walked over London Bridge,&#13;
I met my sister Sally.&#13;
Her head I plucked, her blood I sucked,&#13;
her body I left standing.&#13;
[Strawberry]&#13;
&#13;
Twelve pears a-hanging high,&#13;
twelve knights come a-riding by.&#13;
Each took a pear&#13;
and left eleven hanging there.&#13;
[Knight's name was Each]&#13;
&#13;
Round as a biscuit, busy as a bee,&#13;
prettiest little thing ye ever did see.&#13;
[Watch]</text>
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              <text>Xerox of Ballad Book of Love Songs, Poems, Rhymes, etc., Book Nine, page 9.</text>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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&#13;
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              <text>Pretty Peggy-O&#13;
&#13;
As we were marching down to Vanar-i-o,&#13;
as we were marching down to Vanar-i-o, &#13;
Our captain fell in love with a maiden like a dove,&#13;
and they called her by name Pretty Peggy-O,&#13;
and they called her by name pretty Peggy-O.&#13;
&#13;
In a carriage you shall ride, Pretty Peggy-O&#13;
in a carriage you shall ride&#13;
with your true love by your side.&#13;
Just as grand as any ladye in the ar-i-o.&#13;
&#13;
Oh, will you marry me, pretty Peggy-O?&#13;
oh, will you marry me? Such a soldier I will be,&#13;
just as fine as any other in the country-o.&#13;
&#13;
What would your mammy think, pretty Peggy-O?&#13;
what would your mammy think&#13;
when she hears the guineas clink&#13;
Sees the soldiers all a marching out afore ye-o?&#13;
&#13;
Come a-tripping down the stairs, pretty Peggy-o&#13;
come a tripping down the stairs,&#13;
combing back your yellow hair, &#13;
Bid a last farewell to your lovyer-o.&#13;
&#13;
Our captain he is dead, pretty Peggy-O&#13;
our captain he is dead and he died for a maid,&#13;
And we buried him in the ar-i-o.&#13;
&#13;
If ever I return, pretty Peggy-O&#13;
if ever I return, your city I will burn,&#13;
And kill all the ladyes in the ar-i-o.</text>
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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&#13;
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                  <text>These items may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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How she was deluded by John Lewis's lies&#13;
&#13;
Omie, little Omie, I'll tell you my mind&#13;
My mind it is to kill you and leave you behind.&#13;
He hugged her and kissed her and slung her around&#13;
Out into the deep water where he knew she would drown.&#13;
&#13;
Two little babies sitting on the bank&#13;
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&#13;
verso:&#13;
&#13;
Mrs. Walter Phillips&#13;
1967</text>
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                <text>Southern Appalachian Archives, Liston B. Ramsey Center for Appalachian Studies, Mars Hill University</text>
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                <text>Mrs. Walter Phillips</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="7911">
                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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Folk musicians--North Carolina&#13;
Folk songs, English--Appalachian Region, Southern&#13;
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                <text>This item may be viewed, downloaded, and printed for personal and educational use, but any commercial use is prohibited without permission from the Southern Appalachian Archives, Mars Hill University. Questions may be directed to the Archivist at (828) 689-1262 or archives@mhu.edu.</text>
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